Staff Choice: In the Studio

Richard Russell // Weekend Gallery Manager

I responded to this picture largely due to the stunningly captured atmospheric moment recording the transition between day, evening and night.

Manmade lighting emerges and overlaps harshly with Nature’s softer disappearing daylight, when her skies subdue and succumb to the dark.

Sophie’s use of watercolour has always been impressively used, but here there is more edgy detail and the air is pungent with moisture and a soaking mistiness. Buildings emerge and evaporate as the damp clouds dissolve, revealing and concealing with the ghostly mist that’s almost fog-like.

 

 

Sophie Knight RWS

Day Turns to Night at Telegraph Hill, London

mixed media

£1400

 


 

 

Tim Donovan // Gallery Assistant

Even before you know the title, it is instantly recognisable as India. I really like the light that Stuart has achieved with his use of colours and the sense of movement that his style conveys. There is a lot going on in this picture!

 

 

Stuart Robertson RWS

Varanasi Bathers

watercolour

£2700

 


 

 

Edith Dormandy // Gallery Assistant

Rika is one of the RWS's newest members, and I was excited to see her work for the first time in the Contemporary Watercolour Competition earlier this year. As I understand it, she has been inspired by an amazing display of microscope slides at the Grant Museum at UCL. I have long loved this museum and I really like the meticulous and yet free way Rika has responded to the specimens.

 

 

Rika Newcombe ARWS

Red Façade No.2

ink

£650

 


 

 

Sali Davies // Weekend Gallery Manager

My favourite painting? By Jim Dunbar. As usual, it’s a case of an almost microscopic examination of texture. Weatherbeaten wood and metal against a tranquil loch. An enigmatic and beautifully executed work.

 

Jim Dunbar RWS

Scoop

watercolour

£1950

 


 

 

 

Ed Parsons Brown // Gallery Manager

When looking at it I feel I am zipping between looking at an abstract painting and looking at a forest floor. 

 

There is a pleasing ambiguity about how far away things are, further complicated by the effect of things like reflections and shadows.  I think this makes it more dynamic. 

 

It has a vibrant sense of the place, light conditions etc. it represents, but also stands alone as its own object.

 

 

Iain Nicholls ARWS

Drax Forest Dorset - Winter Study 1

acrylic

£320

 


 

 

Jasia Szersynska // Gallery Manager

The monumental temple has a great presence but it is the depiction of the school party listening attentively to their guide which I love. The artist manages to capture their mood and thoughtfulness with just a few colourful brushstrokes. I find it totally extraordinary!

 

 

Simon Pierse RWS

School Party in Great Kailasa Temple

watercolour & ink

£550

 

In the Studio by Royal Watercolour Society continues at Bankside Gallery until Saturday 27 April. View other works from the exhibition here.

April 11, 2019